ADX

  Sci-fi weapon sounds are fun to design as a large variety of source materials and effects can be used.

In the previous post, we learned how the 3D Transceiver can be used to more accurately simulate sound sources emitted

It is always challenging to accurately simulate sound sources placed in a complex level geometry, such as buildings with many

Upmixing is used when porting a game that was previously mixed in stereo, or when time and budget constraints do

Reverberation conveys spatial information to the player, making a soundscape more realistic. In this post, we examine the pros and

In third-person games, the camera and player character are typically located at different positions. This can cause some challenges for

There are several ways to create a cross-fade effect in ADX, like using AISACs or Actions. In this post, we

Block Playback is a versatile system to design interactive music in ADX. It is especially useful when complex playback behaviors

Implementing a pause system on the audio side requires the management of many Cues simultaneously, as well as ensuring that

Radio and communication effects are common in games, especially in modern military settings. In this post, we will see how